Dr. Mansey Kinarivala has previously performed vocal solo at Sangeet Mela 2015, and in 2014 gave vocal accompaniment to Smt Darshana Hingu (Kathak Dance). In 2019 Mansey will be giving vocal accompaniment to Ku Saee Sane (Rising Star Award … Read more...
Kiran is an expressive artiste who knows his rhythms! A warm, intimate and subtle style of rhythmic expression exemplifies Kiran’s performances.
Dr. Kiran Varma was born into a music-loving family and grew up listening to Carnatic music. He embarked on … Read more...
At Sangeet Mela 2019 Bindu Rajendren will give Nattuvangam accompaniment to Smt Sriranjani Chandramouli (Bharatanatyam dance). She performed Mohiniattam dance solo at Sangeet Mela 2016.
Bindu Rajendren is a dance performer, researcher and educator who first forayed into the … Read more...
A powerful yet melodious voice, evocative method of rendition that reaches out to the audience and music that is the product of intense concentration and dedication are the characteristics that distinguishes Susmitha as a Carnatic Vocalist.
Susmitha has, over the … Read more...
Murali Ramakrishnan is one of the senior Venu/Bansuri players in Australia. Murali learnt Karnatic (South Indian classical) music under the guidance of Sikkil Sisters Neela and Kunjumani. Murali had his training in Hindustani music from Pandit Krishnanand of Kirana Gharara. … Read more...
Shen Flindell started learning tabla in Melbourne from Sri Debapriya Bhattacharya in 1994 and soon went to the holy city of Varanasi in India to study under Pt. Kaviraj Ashutosh (“Ashu Babu”) Bhattacharya, a great tabla master of the … Read more...
Financial Advisor by the day and Musician by heart, Darshil has been learning and playing Bansuri since 2002. Based in Brisbane, Australia since 2009, Darshil has a dream of passing on the legacy of the Ancient Indian Classical Music to … Read more...
Sriranjani Chandramouli is a Bharatanatyam performer and teacher adept in the unique Mellattur style renowned for its crisp adavus and intricate jathi patterns requiring greater flexibility from the dancer. Sriranjani’s strength lies in her exceptional command over rhythmic footwork patterns; … Read more...
Saikat Bhattacharya has been playing the Sitar for over twenty four years. Playing the sitar has been his passion and devotion. His motivation to learn came from his parents more particularly his mother. Saikat’s first teaching began in early nineties … Read more...
Balaram Ramagiri began playing khol from the age of eight, which later inspired him to develop his knowledge of percussion by learning mridangam. Starting at the age of twelve, Balaram received his mridangam training from Arthavan Selvanathan, taking him from … Read more...